Sentence examples for off the cinematography from inspiring English sources

Exact(3)

That is why the movie begins in the ravishing sorrow of dawn, in Montmartre and Pigalle, with the street lamps going off; the cinematography, gray on gray, was by Henri Decae, who, in addition to his films for Melville, also shot Louis Malle's "Lift to the Scaffold" (1958) and François Truffaut's "The 400 Blows" (1959), a crest of the French Nouvelle Vague.

Even aesthetically, the whole thing feels off: The cinematography in Will's airless newsroom is pallid and clumsy, and the interactions of the characters feel flat and contrived.

Iribarren used a Canon 5D mkIII with a Tokina 11-20mm lens and a steadicam to pull off the cinematography, before editing the stills in Adobe After Effects and Final Cut Pro X. Iribarren himself is billing it as the longest hyperlapse ever filmed.

Similar(57)

Roe, meanwhile, was in charge of the cinematography.

I became aware of the cinematography later on.

brought the international sound, he wanted to bring the producer into his world, "working off of each other and playing off of each other as artists, but the cinematography would be artistic and incredible".

The widescreen cinematography shows off the snowy landscapes to great effect.

Set in Australia, with stunning cinematography showing off the outback landscape, it features plenty of gentle laughs and surprisingly little schmaltz.

The approach throughout is hyper-controlled, fending off any hint of the reckless; both the editing and the cinematography keep careful pace with the tightly plotted crimes, and many of the performers patrol the scenes in an under-reactive daze.

In "A.I.," the many uncanny exchanges between the human and the post-human are brought off with seamless perfection, and Spielberg's imagery (Janusz Kaminski did the cinematography) is precise and unforced and at times hauntingly lovely.

Director Grímur Hákonarson's droll and tragic tale of Icelandic sheep farmers encapsulates all the best things about Nordic film-making: polished storytelling, radiant humanism, great acting and immaculate cinematography that shows off the stunning landscapes (in this case, Iceland's bleak, treeless moors) to their best advantage.

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