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No need to say the same of this director.
Awards speeches frequently cite the "courage" and "bravery" of this director or that studio.
You can see those Hirst paintings clearly enough, and then imagine what could have moved the mind of this director.
The towering, lost dreaminess at the heart of the film is an unmistakable obsession of this director.
He is overwhelmed by the poignancy of this recovered memory and the sense of disloyalty to his younger self in being so critical of this director.
In a review of "Seven Beauties", written and directed by Lina Wertmuller, writer discusses other films of this director: "The Lizards", "Love an Anarchy", "Swept Away", "All Screwed Up".
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From his 1970 show Deafman Glance (seven hours, totally silent) to his iconoclastic productions of Chekhov and Shakespeare that show scant regard for the texts, the spoken word has never been top of this director-designer's agenda.
A two-weekend retrospective of this Swedish director.
Last of a two-weekend retrospective of this Swedish director.
Review of this German director's 1972 film "The Bitter Tears of Petra von Kant".
Walk among the eerie machines and mannequins of this subversive director's work.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com