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By the end of the second play, that England, convulsed by the rampage of Richard III, who takes the throne by force, is a shell of its former self, the window and the sanctity of the monarchy both shattered.
But somehow Rhea Leman, the author of the second play this season built around just such an event, still hopes that we silent observers beyond the fourth wall might feel differently.
And the mood of the second play is perfectly caught in the scenes in Shallow's Gloucestershire orchard, which hit a note of comic realism only matched in world drama by Chekhov.
We found the plot of the second play was toodifferent to infringe, because the most detailed pattern, common toboth, eliminated so much from each that its content went into thepublic domain; and for this reason we said, "this mere subsectionof a plot was not susceptible of copyright". But we do not doubtthat two plays may correspond in plot closely enough forinfringement.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com