Sentence examples for of the capacities from inspiring English sources

Exact(59)

Many of the capacities that markets offer simply can't be matched by other agencies.

This is in large part because he simplified his approach and uses fewer of the capacities of the massive set — a gizmo of 24 movable planks.

The reformist's case rests on an understanding of the capacities valued by mathematicians as merely mechanical skills that require no true thought.

If the last two decades have taught us anything, it's that most of the capacities we once considered human exceptional are not as far outside the purview of artificial intelligence as we might otherwise like to think.

They are often viewed as the litmus test of a particular society's views of the slave, that is, of the capacities the slave was likely to exhibit as a free human being.

"If you start putting very large numbers of human brain cells into primates, suddenly you might transform primates into something that has some of the capacities that we regard as distinctively human – speech or other ways of being able to manipulate or relate to a human," he said.

(S/NF) If the appropriate agencies decide that a walk-in should be allowed to travel to the United States (in any of the capacities described above), transportation out of the host country and to the United States must be arranged.

The training school, set up by Hassan's unit with help from the French military, is an attempt to limit that toll, both by teaching recruits to recognise and defuse Isis bombs, and by giving them a sense of the capacities of the forces they will fight.

The latter idea was supported also by the Italian mystical theologian St. Bonaventure, who, in his earlier days as a colleague of Aquinas at the university, had likewise been enamoured of Aristotle but later, alarmed by the secularism that was growing in the midst of Christendom, became more mistrustful of the capacities of natural reason.

That's because with each installment Mr. Lepage has simplified the staging and used fewer of the capacities of Carl Fillion's 45-ton set: the machine, as it has been called, a huge gizmo of 24 planks that rotate on an axle in combination with video projections to evoke rivers, cliffs, mountain passes, forest dwellings and more.

Of the four operas in the cycle, this one has inspired the director Robert Lepage to his most effective work, largely because he simplified his approach and uses much fewer of the capacities of the massive set, a gizmo of 24 moveable planks.

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