(Kehr) WOUNDED PRIDE, SIMMERING PASSION: ROBERTO GAVALDÓN (Friday through Thursday) One of the key directors of the Mexican cinema's golden age, Roberto Gavaldón worked in a wide variety of genres but specialized in thrillers, often collaborating with established writers like B. Traven and José Revueltas.
Gill said that Gaskill was one of the four key directors working under the management of the English Stage Company's artistic director George Devine, who "altered the British theatre".
Since deciding to cease film production at the Armory, some of Kink's key directors, including Marlowe, have already set up their own studios in Vegas and will continue to make content for the Kink.com platform.
By setting into motion what has come to be known as the Year of the Snub, they left two key directors off of their nominations list and sealed the fates of both pictures involved, elevating one and all but burying the other.
Three of the firm's key directors – Graham Sharp, Claude Dauphin and Eric de Turckheim – were based in London.
The key directors of the French New Wave – Jean-Luc Godard, Eric Rohmer, Claude Chabrol, François Truffaut – started out as film critics, associated with the journal Cahiers du Cinéma.
The key directors of the period were British intellectuals – Jack Clayton, Lindsay Anderson, Tony Richardson, John Schlesinger and Karel Reisz – whose chosen subjects were working-class dramas set in the provinces; not worlds with which they were wholly familiar.
The documentary "Rohmer in Paris" is composed mostly of clips from the films of Eric Rohmer (who died in 2010, at the age of eighty-nine), a key director of the New Wave.
Mike Nichols emerged from the improv circuit and, after forming a double act with Elaine May, became a key director of the counter-culture era: credits included Who's Afraid of Virginia Woolf, Carnal Knowledge, and the hugely successful The Graduate.
Soon after his return, he was promoted to be Fairbanks's director, had his classical features enhanced by a broken nose (the result of an on-set punch-up), became the lover of the actresses he directed (Norma Shearer, the "It Girl" Clara Bow and Jean Harlow among them), and ended up with the coming of sound as a key director at Paramount.
