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He reveals the painter who's been his biggest source of inspiration, talks us through clips of his Strata series which geometrically dissect the ceilings of Roman cathedrals— takes us behind the scenes of his audiovisual collaborations with Mira Calix, and gives light to his current re-cataloging commission for the Palais des Beaux Arts museum.
When we met him for our profile video he was in the middle of working on the next part of his Strata series, a series which looks at transformation by taking classical art and architecture and refracting it through a digital landscape using custom software.
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He gave me some of his strata-like glass pieces when I was 16 and 17.
This is the latest piece from visual artist Quayola called Topologies (shown at the BFI Southbank, London in conjunction with the onedotzero_adventures in motion festival), part of his ongoing Strata Series, which looks at transformation.
There is Mason Verger — played, somewhere far below his strata of prosthetics and makeup, by a famous actor, uncredited at the start, whose identity I will leave you to guess.
In his Strata series, a deconstruction of iconic artworks reveals the frameworks and shapes that lurk beneath their exteriors.
When we finally came to an end and I looked up the slope, I realised that what he had done was to create one of his beloved sets of strata, right there in the heart of the Catskills.
In this early stratum of his literary activity he was attracting attention as a writer of historical drama (the three Henry VI plays) and tragedy (the blood-soaked Titus Andronicus).
On Solti's old desk is a fragment of the living past – a score of Bach's St John Passion, on which Solti was working when he died, covered with his hallmark annotations in lead pencil and red crayon – his two strata of excavation and analysis of the composer's intent.
One installation at the Royal Academy turned a heap of his unfinished paintings into a model of geological strata going back to the early history of earth.
Encouraged by these developments, Ralph Brandling's son, Charles Brandling, firstly commissioned more extensive mining of near-surface coal on his estate and then, encouraged by the discovery of several strata below his estate, began boring operations in 1758 to allow ultimately for deeper coal extraction.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com