Sentence examples for of his characterization from inspiring English sources

As a Bishop scholar, what did you think of his characterization of her work?

Each component of his characterization authenticates the impact of the others.

"I was right on the mark," the Treasury Secretary, Steven Mnuchin, boasted, of his characterization of the President as an idiot.

(The Brothers Burns, along with Phoef Sutton, a sitcom veteran, are credited as writers and executive producers.) Seeming to borrow some of his characterization from that timeless farceur Moe Howard, Mr. Dennehy keeps referring to his sons as morons and slapping them upside the head.

After a while, the shallowness of his characterization and the movie's glib impassivity become a little unnerving, and viewers may ask why it's supposed to be better that hundreds, maybe thousands, of people in Harlem were destroyed by black gangsters rather than by Italians.

The closest we come to a corporate face in "A Civil Action" is the Grace executive played by Sydney Pollack, who (perhaps preparing for his debauchee role in "Eyes Wide Shut") demands that the hero put his feet up on a glass coffee table -- that's the extent of his characterization.

Today Mr. McCain said that both of his characterizations of the flag had been accurate and that he still believed the matter should be handled by state officials.

The strength of his characterizations is inextricable from his power as a political visionary; Robinson is realistic about human beings but nonetheless optimistic about our capacity for change.

While some of his characterizations of the players in health care lack necessary nuance — he sees all human research subjects as motivated primarily by altruism, and all pharmaceutical marketing as inherently nefarious — Goldacre's research is scrupulous, and lay readers may find themselves converted to his geeky ardor.

Therefore, so this logic goes, trust not what Wagner ranted in treatises and journals and letters, or undeniably depicted in his music and texts, but what's otherwise intuitable, however inchoately, in the interstices of his art, especially in what Horowitz and others see as the complexity, empathy and ambiguity of his characterizations of villains and heroes alike.

According to The Globe and Mail John Barber, Martin manages simultaneously to master and transcend the genre so that "Critics applaud the depth of his characterizations and lack of cliché in books that are nonetheless replete with dwarves and dragons".