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McFarlane says that, while writing Ruth, she thought of her as "an individual who, at seventy-five, is the sum of years of experience, memory, opinion, prejudice, decision-making, and desire".
She defines her studio practice, which is rooted in an ongoing investigation of experience, memory, abstraction, present and future histories-specifically shifting notions surrounding landscape-as cyclical rather than linear.
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Now London is quoted as saying her work "comes from a combination of personal experience, memory, observation and imagination".
Future stages of the study will explore other aspects of the human/robot experience: memory, autonomy, and agency.
Paller, K.A. & Wagner, A.D. Observing the transformation of experience into memory.
The successive layering and revision is an analogy of the accumulation of experience and memory.
It is a sustained meditation on the elusiveness of experience and memory, and the difficulties of love.
The big things, including that composite of experience and memory and interests that defines a person, are still there.
"It's a synthesis of experience and memory that translates to a landscape with it's own ecotones".
With more than two decades of experience and memories of the long queues for seats to see Anthony Hopkins and Judi Dench in Antony and Cleopatra in the 1980s, O'Rourke believes queues police themselves quite well.
"We are interested in the concepts of experience and memories by engaging the audience in participatory and introspective sensory "games".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com