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MCs I pool on the left of each graphic, because their PRE values are mostly negative, while MCs II pool on the right, with positive values.
We assessed the types of graphics, the use of special features to display detail, the clarity of each graphic, discrepancies within the graphic or between the graphic and text, and the efficiency of data presentation.
In the design of each graphic, our main considerations were to balance realism with narrative, for example, though based on real satellite images, we had to alter details, scale and resolution to support plot points and the actors' performances and get military approval. .
The proportion of sequence pairs diverging by 0, 1 to 10, 11 to 20, 21 to 30, 31 to 40, and more than 40 nucleotides is also plotted in a box at the top-right of each graphic.
The supplementary material also provides examples of the instantiation of each graphic component in turtle language.
These are described in Figure 2. The GUI rules collection contains the instantiation of each graphic component.
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On the top of each graphics, the true spontaneous parameter ν ( 1 ) on the top and the true parameter ν ( 2 ) on the bottom are referred by <monospace>S</monospace>*. The estimated spontaneous parameters by method f ˆ B are referred as <monospace>SB</monospace> and the estimated spontaneous parameters by method f ˆ BO are referred as <monospace>SBO</monospace>.
They may not be able to choreograph the give and take of an actual bout, but they insist on control of every aspect of its presentation: each graphic, each dart of light, each selection of psych-up music, each word and image in the promos of the fighters, each barely clad "octagon girl" who circles the cage holding a number ostensibly meant to remind the forgetful of the round.
The sub-charts in each graphic of figures show the changes in variables before (two steps for the first breakpoint and four steps for the second breakpoint) and after (three steps for the first breakpoint and four steps for the second breakpoint) the breakpoints.
"Nymphomaniac," which will be released in two films, will see two different versions of each: a graphic edit and a softer cut.
The bias and the limits of agreement are displayed in each graphic.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com