Sentence examples for of a propulsive from inspiring English sources

Gimmick-free and uncategorizable, this is just a flat-out great read with the spirit of a propulsive, character-driven 1970s movie.

The instrumental consists of "a propulsive beat and chewy synths", as well as "loud drums" and "overwhelming" electronica.

The A.V. Club Christopher Bahn gave the album a B- rating, calling it "heart-on-sleeve and icily detached at the same time"; however, Bahn felt that "the lack of a propulsive single... as well as an overabundance of instrumentals, suggests a band that's spinning its wheels".

In contrast to the other vetulicolians Vetulicola is interpreted as an active swimmer, principally because of a propulsive tail [ 24] and compressed cross-section [ 16] that would have been relatively streamlined and unstable if positioned on the sea floor.

Six dancers, wearing the masks in order to animate an allegory of the destructive impact of colonization, perform a series of rituals to a propulsive, wildly genre-mixing score by Stephen Barber that pledges allegiance to no single tribe.

An additional line of evidence for a propulsive force came from the visualization of junctions being capped towards the rear end of the tachyzoite in about 8% to 20% events.

Pozo was also acquiring an imposing reputation on the drum known in Cuba as the tumbadora, or the conga -- a lower-pitched drum that was flexible in its use, capable of providing a propulsive boot to the underlying rhythm as well as making variations on top of it.

Other distinguishing features often found are the use of samples, a propulsive, sparse rhythm, and an almost omnipresent sub-bass.

OUT OF TOWN JACOB'S PILLOW June 25-29, at the Ted Shawn Theatre: The French-Algerian choreographer Heddy Maalem reinterprets Stravinsky's "Rite of Spring," in a propulsive work integrating the contrasting movement styles of fourteen dancers from around the African continent, and sets it in a white cube on which images of daily life in Lagos are projected.

E-mail address GO SIGN UP Share Tweet OUT OF TOWN JACOB'S PILLOW June 25-29, at the Ted Shawn Theatre: The French-Algerian choreographer Heddy Maalem reinterprets Stravinsky's "Rite of Spring," in a propulsive work integrating the contrasting movement styles of fourteen dancers from around the African continent, and sets it in a white cube on which images of daily life in Lagos are projected.

He is at his best creating ornate sentences whose similes and strings of adjectives have a propulsive momentum.