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In Magritte's oeuvre there are quite a few odd paintings that are jarring.
It's characteristic of Wylie's odd paintings, populated by fantastical characters dancing across dreamlike, if not Freudian, landscapes.
The town's artistic treasures, now stored in the Museo Diocesano, include a handful of muscular and disturbingly odd paintings by a brilliant native son, Luca Signorelli (c. 1445-1523), and a glorious Annunciation by Fra Angelico (c. 1395-1455), ofe of the most delicately enchanting paintings of the early Italian Renaissance.
Strange books, odd paintings, awkward furniture placement, posters that showcase terrible taste, and even pets just kind of looking up, staring at their master, wondering why exactly she's putting that thing in there.
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Only 40-odd paintings by this 16th-century Flemish Renaissance master survive.
Upon his return to Japan he held a successful exhibition of 40-odd paintings and drawings.
With some 70-odd paintings, drawings and letters, of which 20 are not by the Dutch artist, it does a lot with relatively little.
The other 35-odd paintings and sculptures here point up some of the myriad pathways that art took from realism to abstraction and back again.
The other 35-odd paintings and sculptures here point up some of the myriad pathways down which art traveled from realism to abstraction and back again.
The 60-odd paintings, pastels and prints in the exhibition, organized by the Yale Center for British Art and the National Portrait Gallery in London, let us ogle yards and yards of fashionably draped velvet and satin (on men and women), lavish jewels, sumptuous fur, delicate lace and heavy gold braid.
Although the 30-odd paintings in the exhibition will probably be familiar to visitors because they are usually on view at the museum, they have never been seen in the context of Stieglitz's collection, which includes scores of watercolors and drawings rarely seen because of their delicacy.
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