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The starting point is that digital technology is enabling objects to become so complex and powerful that we now expect to interact with them.
They're there to take photos, hundreds of them, "curated," as Bunn says, with outfits and poses and objects, to become social media status symbols.
A new approach that allows objects to become "invisible" has now been applied to an entirely different area: letting particles "hide" from passing electrons, which could lead to more efficient thermoelectric devices and new kinds of electronics.
Hume introduces eight "rules by which to judge of causes and effects" (see section 4.5 below) because it is "possible for all objects to become causes or effects to each other" (Treatise 1.3.15).
In Treatise 1.3.15, Hume states eight "rules by which to judge of causes and effects" (see the block-quote above) because it is "possible for all objects to become causes or effects to each other".
Using such data we can, on the basis of Eq. (7) and on the basis of the wear-out function [2], calculate the effects of both storage and frequency of access, on the time required for objects to become unfit for use.
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The aim of Collecting Cultures is to provide money for curators to develop their collections proactively rather than having to wait for a painting or object to become available on the market.
The developed model of accumulation of large missing pieces per number of handlings of a document depending on DP, enables us to calculate the time required for an object to become unfit for use by readers in the context of general access.
For an Oort cloud object to become a short-period comet, it would first have to be captured by the giant planets.
A final experiment demonstrated that this effect could be observed under circumstances involving more substantial changes to objects: Here, children acted as if wetting a photograph of an object would cause the object itself to become wet.
If objects start to become blurred, many simply accept that as a new normal.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com