Sentence examples for objective representations from inspiring English sources

The goal of this paper is to develop the foundation for a spatial navigation without objective representations.

If we rigorously distinguish sensation from intuition à la Kant, then we open the possibility of objective representations that are akin to perceptions.

Accessibility measures are usually designed to be objective representations of the 'real' conditions to provide a baseline for planning decisions and to track change over time.

By contrast, the "objective validity" (objektiv Gültigkeit) of a judgment is its empirical meaningfulness, precisely because it is compositionally based on the empirical "reference" (Beziehung)—whether singular or comprehensional of the basic constituent objective representations of any judgment, namely intuitions and concepts.

Whereas sensations do not represent anything distinct from the sensing subject (including perhaps the state of the subject's body), intuitions are objective representations.[2] Kant then distinguishes intuitions and concepts along the following lines: whereas intuitions are singular, immediate representations, concepts are general, mediate ones (Engstrom 2006).

For Kant the mind is essentially active and vital—"the mind (Gemüt) for itself is entirely life (the principle of life itself)" (5: 278)—and a cognitive capacity in turn is a determinate conscious propensity of the mind to generate objective representations of certain kinds under certain conditions.

But since when have maps been about objective representation of space?

In both cases the negative was more of a ground for improvisation than an objective representation of reality.

Valente's earliest work is characterized by simple verse devoid of artifice and by an objective representation of reality.

It is also important to realize that what is actually perceived is not a neutral, objective representation of what exists in the external world.

KAREN ROSENBERG GEORGE CONDO Christ: The Subjective Nature of Objective Representation Luhring Augustine 531 West 24th Street, Chelsea Through March 29 George Condo's paintings have approached Roman Catholic priests and altar boys as objects of wrath or scorn, and not a little hilarity.