The objective of this narrative review was to examine the usage of ketamine as a postoperative analgesic agent across a wide variety of surgeries.
The objective of this narrative review and analysis was to better understand the relapse of ADHD symptoms upon discontinuation of medication treatment in children, adolescents, and adults with ADHD who have responded to medication treatment and to explore differences among different medications in maintaining treatment response.
The objective of this narrative review is to determine if OSA is a risk factor associated with difficult airway.
Quinto doesn't always move with ease between the subjective space of Tom's monologues and the objective world of the narrative proper: he pushes too hard at first, relaxing only in the final scenes.
The objectives of this narrative review are to 1) provide a general overview of the current knowledge of fatigue in the context of fibromyalgia, 2) suggest a rationale for assessment of fatigue, and 3) describe non-pharmacological and pharmacological management modalities studied in the context of fibromyalgia that also improve fatigue.
The objectives of the current narrative review are to critically evaluate the literature about the effects of cytokine blockers on clinical outcomes in MDD and in the reduction of depressive symptom severity in individuals using these medications primarily to treat inflammatory conditions.
This then affects the language we use about healthcare, which is often diminished to the objective, ignoring the narrative and interpretive function of medicine [ 3, 4].
Objective: To assess the narrative abilities of young deaf children before cochlear implantation and 1 and 2 years following implantation, and to explore possible changes in the implanted children's preferred mode of communication in the narrative abilities task.
(This business of the right being more positive than the left, by the way, seems to be related to the different natures of the two hemispheres of the brain: The right is more intuitive and emotional, the left more analytical and objective, and in the sensual escapism of the narrative film the left tends to give up the process of rational analysis and allow the right to become swept up in the story).
"With the main emphasis on telling the story from inside out, I am always trying to skip the role of objective observer and be a part of the narrative, throwing myself into it as deep as possible.
Of course, this plurality of accounts partly reflects our lack of access to an insider's narrative, but since the objective of the Zoo is to stimulate discussion rather than anoint a particular answer as the "truth," I see this as a fruitful exercise.
