Sentence examples for objective description of from inspiring English sources
Originally, the haiku form was restricted in subject matter to an objective description of nature suggestive of one of the seasons, evoking a definite, though unstated, emotional response.
When interiority has returned, novelists have often appeared more interested in setting thoughts out directly on the page than in attempting any "objective" description of the unobservables of human cognition.
Throughout these apparently discrete passages, Jed's overriding concern is "to give an objective description of the world"; discussions about the extent to which this is possible form the basis of his association with the writer.
If the laws of physics were to provide a truly objective description of nature, they ought to be valid for observers moving in any way relative to one another — spinning, accelerating, spiralling, whatever.
Novelists have always satisfied our curiosity about human motivation by revealing the private thoughts of their characters, but the classic novel contained this information within an objective description of their actions and interactions.
The aim of this work is to define a tightly standardized measurement procedure for the collection of a complete objective description of an opera house's acoustics.
Many investigators relied heavily on introspective reports, treating them as though they were objective descriptions of public events.
So this book is full of objective descriptions of meetings, battles, rallies and negotiations, with one Follett character playing Zelig on the sidelines.
The Facial Action Coding System (FACS) proposed by Ekman features objective descriptions of facial movements, characterizing activations of facial muscles.
Two different conductivity probes (parallel wire and ring probes) have been designed to collect objective descriptions of the flow regime in terms of the time series voltage signals.
Objective descriptions of equipment bypass the very "equipmentality of equipment [Zeughaften des Zeuges]" (PLT 32/GA5 17)—as Heidegger still phrases the point in "The Origin of the Work of Art"—because such descriptions fail to notice, let alone capture, what it is like to be integrally involved with equipment in engaged use.
