Sentence examples for object of critical from inspiring English sources

By the mid-nineties, he not only became the object of critical derision but was cited as evidence of an American culture in crisis and decline.

Even the humble dingbat has found a place in the future of the city, becoming the object of critical study and architectural competition.

A couple of years ago, for example, Moscow's once all-powerful mayor, Yuri Luzhkov, suddenly became the object of critical reporting on federal television.

That's another reason "Blue" is interesting: It's a three-hour movie about women, a rare object of critical inquiry perhaps especially for American men working in the male-dominated field of movie critics.

Prilepin's work, intensely emotional and politically radical (he was a member of the outlawed National Bolshevik Party, although this did not prevent him from participating in Kremlin receptions for leading cultural figures), had long been the object of critical controversy; some saw his work as an eloquent expression of the times, whereas others saw it as aesthetically primitive.

But what is the aesthetic object, the object of critical attention?

Interdisciplinary courses may be particularly well suited to support this sort of learning goal, because when two or more disciplines are brought into interaction, disciplinary choices that are typically implicit can be brought out as objects of critical reflection.

He became an object of admiring critical scrutiny, and a hero to many young artists, especially in his home country.

The "American background" of each of his subjects "informed his impression of other peoples," and those impressions in turn made America itself into "the object of his critical scrutiny".

The scene has become the object of absurd critical quibbles and complaintsthat suggest, above all, the narrow range of directorial creations and the limited sense of imagination to which many critics have become conditioned.

The scene has become the object of absurd critical quibbles and complaints that suggest, above all, the narrow range of directorial creations and the limited sense of imagination to which many critics have become conditioned.