If we begin with something as immediate and basic as simple apprehension on the part of the human intellect, we find that an object of simple apprehension (such as the natural kind "dog") is susceptible of definition.
Through the generic term we are led to a further object of simple apprehension, usually itself susceptible of definition.
These landscapes and their plants, peoples and structures, whether man-made or natural, were read or appreciated in various ways, not only as objects of aesthetic apprehension but terrains of philosophical and historical enquiry.
In many theologies that is a description of the condition (to be achieved only when human life ends) in which the self exchanges its limited, fallen perspective for the perspective (not a perspective at all) of union with deity, where there is no distance between the would-be knower and the object of his cognitive apprehension because, in Milton's words, everyone and everything is "all in all".
He denies only that memory is a current apprehension, and that the object of a memory is a past apprehension (Essays, 253).
And even if Hannah Waddingham is oddly cast as his termagant wife, Natalie Walter as the object of his desire nicely mixes apprehension and lust.
The syntheses of apprehension, reproduction, and recognition of single objects march in a single temporal/object-generational line.
"A little bit of apprehension.
It definitely creates a bit of apprehension".
"There is a state of apprehension.
