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In short, appropriate aesthetic experience is held to involve the total immersion of the appreciator in the object of appreciation (Berleant 1985 1988 1992 2013).
The position held that aesthetic appreciation necessarily involves aesthetic judgments, which entail judging the object of appreciation as the achievement of a designing intellect.
What are called cognitive, conceptual, or narrative positions in environmental aesthetics are united by the thought that knowledge and information about the nature of the object of appreciation is central to its aesthetic appreciation.
It also responds to concerns that imagination introduces subjectivity by appealing to factors such as guidance by the object of appreciation, the constraining role of disinterestedness, and the notion of "imagining well" (Brady 1998 2003).
Granted, the work can take on a life of its own as an object of appreciation or criticism, but it always carries its reference to the artist, as the identity of the artist likewise cannot be separated from her work.
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According to this view, the presentation of a natural object as an object of aesthetic appreciation counts as an "intentional modification" required for artifactuality (cf. Dickie 1984/1997, 45 46).
It is no accident that the development of the concept of disinterestedness and the acceptance of nature as an ideal object of aesthetic appreciation went hand in hand.
To avoid the paradoxical consequence that some artworks lack authors, the concepts of authorship and artifactuality must be interpreted in this context in such a way that the choice of an object for "presentation to the artworld public" is sufficient to make the presenter the author of the object qua work of art, that is, as an object of aesthetic appreciation.
Oh, to be young and an awesome slugger again, the object of widespread admiration and appreciation.
The coastline is alive with holidaymakers, and the boats that stand ready are objects of admiring appreciation.
Fine art consists of those works designed to produce an aesthetic response or that (regardless of design) function as objects of aesthetic appreciation (such as paintings, sculptures, poems, musical compositions)—those human-made things that are enjoyed for their own sake rather than as means to something else.
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