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We tested the model on three tasks – salience-based object recognition, imagination-based object recognition and object imagination – and achieved very good results showing, as a proof of concept, that perceptual actions are a viable candidate for grounding the visuospatial mental concepts as well as the credible substrate of visuospatial mental imagery.
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If a cast-iron monument to RoboCop suggests resignation to Detroit's decline, it also suggests the playful will to keep Detroit alive as an object of imagination, and in imagination there is hope.
They, therefore, cannot be an object of imagination.
On his view, our knowledge of body as an object of imagination is inherently inadequate.
Even in such an experience, as Berleant's engagement model indicates, the person is never passive; she is actively engaged with the object through exercising imagination and interacts with it perceptually, intellectually, and emotionally.
But that objects of the understanding cannot be objects of taste seems a guiding assumption of much of the rest of the Enquiry: consider, for example, Burke's claim that it is only as an object of the imagination, and specifically not as an object of the understanding, that God can be found sublime (Burke 1990, 62).
With the help of a friend, a professional 3D modeler, we recreated the environment and objects in my imagination, then repeatedly deconstructed and transformed the scenes.
Books are amazing objects filled with imagination and information, and reading is like exercise for your mind.
Many campsites provide tables and seating, and nature provides logs, stumps, and other natural objects that your imagination can make good use of.
It shows the artist letting go of an elegant object made with intelligence, imagination and love more than 2,000 years ago and letting it smash to bits on the ground.
These images, brilliant and radiant with a love of light, rapturous with a love of motion, bring to the cinema a big and great idea: the overcoming of the distinction between subject and object, between recording and imagination.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com