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They include some of Shakespeare's most powerful set pieces — "O, what a rogue and peasant slave am I," "O, that this too too solid flesh would melt" — but are so familiar they can sound formulaic to the point of banality.
"O what we ben!
O, what terrible misfortune.
O what shall I do?
What will become of me? O what shall I do?
Marian will hum an old church song; "O, What a Beautiful City!" might be the one.
Similar(21)
The Dymaxion Vehicle, the Dymaxion House, "comprehensive, anticipatory design," Synergetic Geometry, floating cities, Jell-O — what does it all add up to?
My man Daddy-O, what's up?" "What up, what up, what up, what up!
This French actor plays the part os what's-his-name-Straus Take it from me it stinks.
It was same-o, same-o, so what".
O look what we did.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com