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CURTIS HASSELBRING 'Number Stations' The trombonist and guitarist Curtis Hasselbring's new album, "Number Stations" (Cuneiform), is inspired by the system of anonymous shortwave radio transmissions — typically strings of numbers, read by a female voice — that have existed without proper explanation since the cold war and are thought to be coded messages used for espionage.
(Chinen) Curtis Hasselbring's Number Stations (Sunday) On his rambunctious new album, "Number Stations" (Cuneiform), the trombonist Curtis Hasselbring draws inspiration from cryptic shortwave-radio signals, entrusting his own garbled materials to Chris Speed on reeds, Mary Halvorson on guitar and Matt Moran on vibraphone and marimba, along with a bassist and two drummers.
Click here There was a lot of speculation that the six-digit codes on the Records Store Day vinyl were a reference to number stations, short-wave radio broadcasts that are thought to be connected to international espionage.
Around the room are old-style silver metal cone speakers that play a soundtrack composed by Philip Miller that features a brass section hurramphing away and a beautifully blended mix of early 20th century songs, men and women reading key texts aloud, and the ghostly voices of short-wave number stations.
And it shares more than a little aesthetic overlap with the other band on this double bill, the New Mellow Edwards, which includes Curtis Hasselbring on trombone and guitar, Chris Speed on reeds, Matt Moran on vibraphone and Mary Halvorson on guitar — and which will be playing a new piece, "Number Stations," inspired by shortwave radio.
(Chinen) Curtis Hasselbring's New Mellow Edwards (Tuesday) On his rambunctious new album, "Number Stations" (Cuneiform), the trombonist Curtis Hasselbring draws inspiration from cryptic shortwave-radio signals, entrusting his own garbled materials to a band with Chris Speed on reeds, among others.
Similar(52)
It is lined with expensive medical machines that thrum softly while patients rest on large, reclining chairs at numbered stations around the perimeter.
If we chose stations that recorded smaller numbers of events together with those that recorded many events, a bias of hypocenter locations might be introduced between earthquakes that were recorded by the smaller-number stations and those that were not.
Numbers stations.
Blimps, cryptic numbers stations, airport speakers, brief television ads, surprise releases and live streaming to movie theaters have all been used to bring attention to artists' new albums.
But numbers stations are very professionally operated.
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