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Best of all was the extended jitterbug number in which the dancers could let loose.
Gone is an early number in which Diana had a laugh-generating breakdown at a Costco.
And a hideous number in which the two women salivate over a soccer coach (Mr. Hoch).
Ms. Janney has a fantasy number in which she strides past a line of male employees at urinals.
In one number, in which Rand portrayed a bird, Ms. Stark danced as part of one wing.
That's the delicious "Marian the Librarian" number in which Harold tries to thaw Marian in her library.
There's a twanging guitar number in which an unwelcome houseguest tortures the vocalist before defecating on his carpet.
The hilarious opening number, in which the audience is instructed in theater manners, virtually parodies the earlier show's rollicking introduction, "Comedy Tonight".
The first single, "Over Everything," is a bluesy-folksy-country-crooning number, in which Barnett and Vile alternate verses about the lonely highs and lows of making music.
The first-act number in which six performers sing and dance dressed as skeletons carrying swords seems tame now but makes its point.
There is a clever number in which the longing and sadness of two women looking at the same man is interwoven.
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