Exact(2)
Stories of any length, whether a short story or a novel, tend to raise a blockade.
Brilliant works of interior art like Tolstoy's novel tend to suffer terribly in the hands of those who would interpret them in other mediums.
Similar(58)
Landscape, where it is found at all in the recent Western novel, tends to be exotic.
Yet kindness, in this novel, tends to dominate, in affecting contrast to the unfathomable horror of the Powers story.
Where film is actually, unless somebody is doing something very novel, tends to be cadenced in a certain distance in time.
One caveat: the artist novel tends to be of the shaggy-dog variety, plotless and confounding, which generally means you can lose yourself in it all the more easily.
His novels tend to blur in memory.
Sebaldian novels tend toward the paradoxical: they are hypnotic narratives about disenchantment.
Sue Miller's novels tend to have plots that come straight out of the daytime soaps.
And lawyers who write novels tend to make intrepid young lawyers their protagonists.
Kelman's novels tend to proceed without troughs and peaks, suspense and climax.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com