Sentence examples for notion of composition from inspiring English sources

What tenuously linked the works played in between these was a notion of composition as the organization of acutely distilled gestures: stabs, slurs and bell tones in Pasquale Corrado's fickle "Pulse"; tenebrous smears and feathery strokes in Bent Sorensen's "The Lady of Shalott"; brittle Webernesque shards in Elisabeth Harnik's "Reframing I".

In the phenomenon soon known as Post-Minimalism, all kinds of artists his age were applying Minimalist tenets — Donald Judd's notion of composition being "just one thing after another," for example — in ways that favored repetition but implicated afresh the body, materials and life itself.

The most remarkable feature about his discussion of 'is' is his focus on the notion of composition.

This is precisely where he used the notion of composition and other notions and properties mentioned above.

One might wonder whether such an apparatus preserves what one might want to save from a common-sense notion of composition.

In addition, we introduce the notion of composition pattern in order to promote the reuse of composition solutions to solve routine component composition problems.

Peter's account of the first word focuses on the notion of compositio (composition), which is explained in great detail, by looking into the signification of nouns and verbs (signifying a composition of a quality with a substance, and that of an act with a substance respectively).

Its strident arrhythmia seems to mock comfortable notions of composition and aesthetic purpose.

But more arresting, and recurrent throughout this 13-year body of work, is a particular type of close-in view -- particular to relatively recent photography -- that thrusts camera and viewer up against leaves or branches or undergrowth so precipitously that both the camera's focus and classical notions of composition are derailed.

Although unfinished works have come down to us from ancient times, Wagstaff explained, the concept of an art that was intentionally non-finito emerged during the Renaissance, to describe paintings whose technique did not conform to traditional notions of composition and "finish".

This paper proposes a regularized notion of a composition of a monotone operator with a linear mapping.