Sentence examples for nothingness showed from inspiring English sources
"Being and Nothingness" showed Mr. Furrer plucking a copy of Schumann's "Novelette" No. 8 from an antiquarian shop, then magically distorting it into his own "Ein Lied, das Über das Ende des Liedes Hinaus ein Anderes Ende Finden Wollte" ("A Song That Aimed to Find Another Ending Beyond the End of the Song").
There is something deeply individual in his allegory of striving toward nothingness and renewal, as he and his female partner, Kei Miyata, showed in a chillingly bare piece aptly named "Absolute Zero".
A GPS locator on my cell phone showed our team moving in a space of unmarked nothingness.
What about his print Jealousy, in which a bearded youth gazes big-eyed into nothingness while a woman shows her body to a voyeuristic man?
But as Taylor knows and Buddhism shows us, nothingness and emptiness can function as guiding concepts within a religious vision that eludes or transcends conventional demonstrations of truth or falsehood.
That (as Einstein showed) means that from the particle's point of view time stands still and space contracts to nothingness.
After all, this was the man whose ultimate civil-rights-era message song was "I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself)." He had wanted to show me the "nothingness" he'd come from, but that nothingness, which had been created by a sense of exclusion, had been a full and vibrant world to him.
Though I also remember my pride for her being tinged with fear that she would cannonball into the Matrix of nothingness when the elevator failed to show up.
It will be intently designed as a Love Island-style screensaver, playing out images of beautiful youngsters barely doing anything in the blind hope that viewers will project their own feelings into the screen to pad out the abject nothingness of the show itself.
He shows us that in the midst of nothingness, a spark of life may be found, even if it's fleeting.
The preoccupation that many Beckett characters have with reaching out or toward a double (whether it be another character or some fictionalized self) will be shown to be characteristic of a Bergsonian approach to Nothingness.
