The book includes capsules about everyone on the team, and some descriptions are familiar — notably those of Adam Graves, who Fleury wrote was a "great guy, the ultimate team player," and Mike Richter ("quickest feet on a goalie I have ever seen").
Away from the pictures of 1971, the Bangladeshi images are both unfamiliar (Munem Wasif's picture of a Burmese worker struggling through bushes in Bangladesh) and familiar: notably, Abir Abdullah's Women Working in Old Dhaka, which shows two women making chapatis together, though their positioning suggests distance rather than camaraderie.
The Woods scandal upstaged the success of the old familiar champions, notably the Yankees' 27th World Series victory.
Chief, an earnest young band from Santa Monica, Calif., has constructed its sound out of familiar parts — notably the layered vocal harmonies of Laurel Canyon folk-rock and the softly twinkling electric guitars of Coldplay (or if we're being generous, U2).
But while staying solidly grounded in post-bop concepts of harmony and rhythm, he left a pleasingly personal mark on a selection of original compositions and familiar standards, notably an uncharacteristically high-energy " 'Round Midnight".
David Hare revisited familiar territory – notably the moral failings that come with power – but also the question of trust, using the expectations of the genre to draw the audience one way while allowing character to determine destiny.
There was also the occasional self-indulgent shortening of the name of some familiar old chaser, notably 'Dessie' for Desert Orchid, which was not to everyone's taste.
With a notably wistful edge to his familiar baritone voice, Bob Edwards, the longtime host of National Public Radio's "Morning Edition," anchored the network's flagship news program for the last time on Friday.
It's always good to hear a notably sincere MP thinking outside familiar boxes, though it's hard to imagine Nigel Farage enjoying Carswell's thoughts as much as I did.
Two modern masters of the practice are Werner Herzog and Terrence Malick, who routinely insert familiar classical repertory, notably orchestral music of Wagner, into unexpected contexts: the Prelude to Act I of "Parsifal" haunts both the burning Kuwaiti oil fields of Herzog's "Lessons of Darkness" and the spiritually scarred prairie landscapes of Malick's "To the Wonder".
