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It takes five affected little "ofs" to make Alma — "ginger of hair, florid of skin, small of mouth, wide of brow, abundant of nose" — sound like a creature of her time.
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I could have done without the on-the-nose sounds behind these – do we really need the noise of a toilet flushing to represent Duchamp's urinal?
And Tora Woloshin, the platinum blonde with the nose jewelry, sounded great but loses points in my book for fretting, in the pre-performance video, about remembering her lyrics.
It's an adrenaline rush prickling with a disorienting eeriness, thanks to nose-diving sound effects and disembodied, girlish vocals that pop up sporadically.
I ran into this injunction in an early workshop: When I proposed my first play, the one about people finding reasons to let a crime go forward, the workshop leader wrinkled his nose, "Ooh, sounds moral".
They point out the association of "nose" with nasal sounds and "tongue" with "l" sounds – saying that a link between body parts and the sounds they make has been noted before.
Thus, it is supposed that the nose leaf influences sound output, perhaps by narrowing the beam, but evidence is sparse.
People blowing their noses into dinner napkins, nose blowers who sound like crosses between Louis Armstrong and wild elephants on the African veldt.
Wrinkled noses and the sound of gagging may clear up the mystery.
He inhaled so sharply through his nose that he sounded like he was snorting his own insults.
Nose jobs don't sound unusual.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com