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As one New York critic put it: "There is no tenor around with the vocal strength, endurance and sheer animal magnetism of Mr Corelli".
One writer commented: "There is no tenor in modern times, Italian or otherwise, whose voice rings out with greater vibrancy, whose every tone carries with it the emotion of white heat.
Mr. Adams wrote no tenor part, but his score calls for three countertenors, who mostly sing in tandem in a neo-medieval style (parallel harmonies, but not always those a medieval composer would countenance).
On disc, at least, no tenor has come close to Wunderlich's effortless power and lyrical ardour, while Ludwig's performance is matched only by the recording she made 11 years later with Herbert von Karajan.
No tenor awareness is demonstrated in these writing prompts.
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At the rally, people carried signs reading "The Met Opera Glorifies Terrorism," "No Tenors for Terror," "Snuff Opera," and "Gelb, Are You Taking Terror $$$?" — the last a reference to Peter Gelb, the general manager of the Met.
At the rally, people carried signs reading "The Met Opera Glorifies Terrorism," "No Tenors for Terror," "Snuff Opera," and "Gelb, Are You Taking Terror $$$thethe last a reference to Peter Gelb, the general manager of the Met.
No tenors.
Alvah kills the Fascist (of course), but any thrill of victory is undercut by the pitiless no-exit tenor of the struggle and the final image of the dying man's legs sliding down as a song from passing musicians concludes.
Of course no one tenor is ideal for all of Verdi.
No Rossini tenor today has a more liquid legato or a more effortless reach to high C and above.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com