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"There's no protagonist," and the world of the book isn't very big and social, or family-oriented.
(Unsurprisingly, he failed; I can't imagine a Hollywood studio putting up money for a kids' story with no substantial child characters, no protagonist, and no love story).
"The earliest versions of this story had no protagonist; I spread it all out among the family and the witch manifested herself in different ways.
Yet there was no singular figure like Liu or Freeman in Montreal, no protagonist whose back story and lofty expectations came to symbolize the Olympic competition.
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That our no-name, no-face protagonist is a woman is relevant to the kind of doubles story that is told about her: being a woman, she starts as the other.
"The Good Negro" has no protagonists or antagonists to speak of, because it's not about people; it's about race as an empty trope that uncritical theatregoers can fill with their own pat expectations concerning black and white, men and women, history and the present.
Cue Kimin Jong-un' in tears, pure bawling over the knee of the game's take-no-shit protagonist.
Cue Kimin Jong-un" in tears, bawling over the knee of the game's take-no-shit protagonist.
The no-faced protagonist flows effortlessly through her over-stuffed, ostentatious home filled with pussy shaped lights and red velvet curtains covering fields of big dick surrogating asparagus, leaving us to wonder, Why isn't this woman masturbating right now?
Likewise, the film's winding from one set of characters to another through chance encounters, with no overall goal and no single protagonist, deconstructs the traditional narrative of a film.
Mark Hanlon's "Buddy Boy" begins with some grimy black-and-white images of a plaster Christ suspended on a cross and then introduces its no less tortured protagonist.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com