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In this telling, Actéon (Ed Lyon, an earthy-voiced and athletically nimble tenor) asks his fellow hunters to let him rest alone in a glade.
The Little Opera Theater is presenting "The Reformed Drunkard" with alternating casts; on Tuesday the strongest impressions were made by Anthony Wright Webb, a nimble tenor, as Mathurin, and Ron Loyd, a robust baritone, as Lucas.
Similar(58)
The EP ranges from a remake of the Japanese kitsch-pop tune "Ishin Denshin (You've Got to Help Yourself)" to another one of Rice-Oxley's perfectly-composed ballads, "My Shadow," which showcases singer Tom Chaplin's ever-more-nimble tenor and a recurring piano riff just as memorable, if more subtle, than the one in Coldplay's "Clocks".
Pat Metheny brings the Unity Band to Town Hall, his first group in thirty years to include a tenor saxophonist, the nimble and assertive stylist Chris Potter.
E-mail address GO SIGN UP Share Tweet Pat Metheny brings the Unity Band to Town Hall, his first group in thirty years to include a tenor saxophonist, the nimble and assertive stylist Chris Potter.
Night Life With A Little Help Pat Metheny brings the Unity Band to Town Hall, his first group in thirty years to include a tenor saxophonist, the nimble and assertive stylist Chris Potter.
Another winner, Todd Wilander, 26, a lyric tenor, brought his pleasing sound and fairly nimble technique to arias by Donizetti, including "Ah! mes amis" from "La Fille du Regiment" with its famous string of high C's.
Even more so than on their excellent self-titled debut record (Rounder), Mr. Dailey's voice was cleansing, a high-pitched tenor that pierced through the band's nimble, complex arrangements, especially on the stunning "Is This How It Is When It's Over" ("Will tomorrow just keep on being today/all over again?") and the cutesy class lament "Poor Boy Workin' Blues".
Playing tenor on those themes, Marcus advanced a muscular but nimble style, responding as much to his partners as they did to him.
Soneros, who have to hold their own against the brass sections of salsa bands, have hornlike voices; Mr. Santa Rosa, a nimble baritone, sounds like a trombone, while Mr. Manuelle climbs into a thinner, trumpetlike tenor range.
He is served by two quarrelsome advisers, the White Minister (the appealing tenor Peter Tantsits) and the Black Minster (the virile bass Joshua Bloom), who engage in some nimble bits of physical comedy.
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