Sentence examples for night sequence from inspiring English sources

He and his editor, Anne Coates, went back into the editing suite, and set to work: After Ali says to Lawrence, "This is the sun's anvil" I would go, as is, to the long shot of the ants going out into the anvil and dissolve to the second night sequence with the long shadows and the boy falling off his camel.

Terry Rawlings' editing and Ms. Streisand's staging is particularly exciting during the "Tomorrow Night" sequence.

While PoftheO had the mesmerizing "Music of the Night" sequence, Michael Crawford's shrewd performance, at least four songs with memorable (if slightly reminiscent) melodies, Maria Bjornson's magical sets and Harold Prince's eye for visual attractions (distractions?), there were--and remain--deadly-serious drawbacks to the enterprise.

These models were adjusted for gender, age, night sequence, PSQI, overall noise sensitivity (NoiSeQ), sleep related noise sensitivity, attitude towards aircraft noise, and morningness-eveningness questionnaire (MEQ).

These final scenes of "Anniversary Party" contain both day and night sequences and shots made in very high-contrast sunlight.

In an interesting comment on the times in which the film was shot, Kim Newman suggests in a booklet accompanying the film that the night sequences in Clementine are as nourishingly expressionistic as the nightmare vision of Pottersville in Frank Capra's It's a Wonderful Life and the daytime scenes of Monument Valley as lyrical as those of Bedford Falls in the same movie.

Then I lay awake all night sequencing logistics.

However, because it was approaching summer, where nights are shorter, night sequences had to be shot between 10 pm and 4 30 am during each night of filming.

Data from 24 hours of ICP monitoring were separated into day and night sequences.

Certainly, Savile emerged as creepy and chilly, especially in a late-night sequence when, unaware the camera was still running, he boasted of the brutal punishments he imposed on miscreants at nightclubs he ran in Leeds.

The lulling, late-night sequence of Lucrezia's easy listening unfolded like an early renaissance iPod in shuffle mode; the otherworldly voice of Patrizia Bovi made an arresting counterpoint to the caterwauling of her colleagues in a madrigal based around the mewling of a kitten.