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Denver, by dragging out the beltway fight for decades — the vision was put down in regional plans in the late 1950s — created a kind of third way: a belt constructed in stages amid a slow-motion fight that never ended.
Designed by the Japanese architect Toyo Ito, the three-story structure suggests an intoxicating architectural dance in which the push and pull between solitude and intimacy, stillness and motion, art and viewer never ends.
That struggle never ends.
The competition never ends.
The aftermaths never end.
Conflicts never end.
Some struggles never end.
Boy, it never ends.
It never ends.
The hustle never ends.
Will it never end?
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