Sentence examples for network of theatres from inspiring English sources

How about we set up a network of theatres that screen shows from smaller companies into their studio spaces?

If it becomes about cost-saving and you're losing the specificity, then you might just as well have a touring network of theatres and somebody in London creating work that goes out.

One of these is Ramps on the Moon, a collaborative network of theatres being funded by Arts Council England and supported by Graeae to create three new pieces of touring theatre that put disabled artists and audiences at their heart.

The Globe manages to run an ambitious programme of Shakespeare and new plays, as well as a far-reaching educational operation, without a single penny of subsidy, yet all the skills, experience and passion that we build our achievements on would not exist without the subsidised network of theatres.

By the 1970s many millions of pounds were committed each year to supporting a network of regional theatres, small touring groups, so-called fringe theatres, and the "centres of excellence," meaning the Royal National Theatre, the Royal Shakespeare Company, the English National Opera, and the Royal Opera House at Covent Garden.

It was Shakespeare on our main stages across the country, the big flagship companies such as the NT and the RSC, the state-of-the-nation plays by David Hare, new writing at the Royal Court or the Traverse, the loved but often ailing network of regional theatres across the country frequently reviving classic plays and modern classics.

"The '80s and '90s did terrible things to the network of producing theatres across this country, and in the last 10 years there's been an extraordinary revitalisation of ambition and range and variety of work," she says.

Spades is the first of a four-part sequence of plays that Lepage is developing for a network of 13 theatre-in-the-round venues, from Canada to Croatia.

1.27pm @simhog1989 I think we have managed to protect, as far as we can, the network of regional producing theatres and also funded some really innovative theatre companies who are doing some remarkable things in all kinds of places.

Far from damaging her prospects, Wilson's three years at Nottingham University introduced her to a network of like-minded theatre obsessives, among them her best friend, Carrie Cracknell, now co-artistic director of the Gate theatre in London.

However, one advantage that dramatists have over musicians or novelists is that – because of the network of student and fringe theatres – it's rarer for their first success to have been their debut play.