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Reading it later I realised it's absolutely not about being cool or extreme (neither is being a playwright at all like being a rock star), but that the play does set a thrilling precedent: as a piece of engineering, the machine really works.
And neither is being a man.
But more importantly, neither is being poor.
While representing death is no fun socially, neither is being a tax man.
Poverty is being reduced, thanks to globalisation, as is inequality; but neither is being reduced rapidly enough, and the process is leaving plenty of people behind.
But then again, neither is being too tall or too short, and what exactly they're expected to do about that is anyone's guess.
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The actors have reasonably good chemistry, though there's a sense neither are being pushed anywhere near their full potential.
Being widely dispersed across the planet was little protection against extinction, and neither was being numerous.
Neither was being a headhunter in Charlotte, N.C., for a year.
Neither was being (technically) fingered.
And neither was being some grand clubhouse cancer.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com