Mr. Anderson places some of the most penetrating, naturalistic dialogue this side of David Mamet in the context of what might be described as a Cubist narrative, offering a multitude of perspectives through characters whose situations eerily reflect one another's.
It is naturalistic, with a side of uncanniness.
On the other side is the naturalistic (and generally secularist) wing that sees nature's processuality as a matter of an inner dynamicity without any directness or at least without any directedness towards a specifiable destination.
However, compared to the other psychosis-related services described earlier, PAS had a much higher percentage of ostensibly non-psychosis related presentations (872/1997 or 43.7%), largely reflecting differences in health care systems and referral/assessment processes; which, on the positive side, provided a naturalistic comparison group for examining future transition to psychosis.
"We keep it naturalistic but sculpted on the lighting side and want to make sure that the audience doesn't feel a layer of artifice between them and the story and characters," says Weaver-Madsen. "They know these people and these interactions.
The TSQM-9 has been developed to provide a suitable measure of treatment satisfaction with medication in such naturalistic studies where measuring patient-reported side effects has a potential to interfere with the study objectives.
On the traditional side of psychological realism and naturalistic storytelling, there are Nicole García's "Adversaire" and Robert Guédiguian's "Marie-Jo and Her Two Loves".
It is, at first look, one of the more naturalistic paintings in the show, depicting the side edges of paintings in a storage rack.
In naturalistic studies, administering the TSQM with the side effects domain could provoke the physician to assess the presence or absence of adverse events in a way that is clinically atypical, carrying the potential to interfere with routine medical care.
All that waving of arms, rolling of eyes, clutching of brow and side-to-side staggering seemed to confuse Gershwin's naturalistic opera with a low-rent production of "Lucia di Lammermoor".
There are a few hints that he tried to reconcile the mythic and religious side of Pythagoreanism with his own naturalistic explanation of the world (see 4.2 and 5.1 above).
