The term "naturalistic representation" is grammatically correct and can be used in written English.
It refers to the depiction or portrayal of something in a realistic or lifelike manner, often in a work of art or literature. Example: The novel was praised for its naturalistic representation of rural life, with vivid descriptions of the landscape and the characters' daily struggles. Here, "naturalistic representation" is used to describe the way in which the author realistically portrayed rural life in the novel.
In the Classical world naturalistic representation had prevailed; at Hagia Sophia the forms are still basically representational, but they are treated in an abstract manner.
"The Last Supper," with its combination of complex patterns and naturalistic representation, represents a fusion of Northern and Southern styles.
Made of polished bronze in 1955 by Constantin Antonovici (1911-2002), itsleekek, projectile abstraction overrides naturalistic representation.
Because his job is to make the fantastic seem viscerally real, the caricaturist must be skilled in the art of naturalistic representation.
Rublyov was trained wholly in the Byzantine tradition, in which the spiritual essence of art was regarded as more important than naturalistic representation.
Small artifacts, particularly seals, show a peculiar continuation of Babylonian and Assyrian traditions in their preference for the naturalistic representation of figures.
"They can do naturalistic representations," Notroff said.
Egyptian sculptors produced sensitive naturalistic representations of cattle, donkeys, hippopotamuses, apes, and a wide variety of birds and fish.
In 17th- and 18th-century Western portrait miniatures, the two-dimensional pattern of rich colours was developed by atmospheric tonal modeling into more naturalistic representations; these were sometimes in pastel and pencil or painted in oils on a metal base.
In other cases, however, they are naturalistic representations of corpulent women whose secondary sexual characteristics (their breasts and buttocks) were given special prominence, though their faces, feet, and arms were almost completely neglected.
Environmental art, in common with collage and assemblage, has tended toward greater concreteness not by making a more realistic representation, as naturalistic art does, but by including more of reality itself in the work; for example, by using casts taken from the actual human body, real clothes, actual objects and casts of objects, actual lighting effects, and real items of furniture.
