It's a naturalistic middle-class family drama, a style she had never tried before now, starring four white men over the age of 40 (played by Austin Pendleton, Gary Wilmes, James Stanley and Pete Simpson).
Fig. 1 Counseling rooms with different styles: a. traditional (left), b. numerology (middle), c. naturalistic (right).
(C ) Validation of the ODE model obtained in panel A on naturalistic stimulation with odor (middle row) and light (bottom row).
And with Jude at its center, "A Little Life" becomes a surprisingly subversive novel — one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery.
The patios, cloisters, and oases of Mediterranean and Middle Eastern regions, the romantic naturalistic parks of Europe, China, and eastern North America, the esoteric garden abstractions of Japan all of these different approaches to design were inspired partly by the particular qualities of the landscape climate in which they developed.
The adaptation to naturalistic stimulation allowed LMC output to represent middle and high frequencies, but also increased low-frequency representation of stimulus patterns over time, while photoreceptor output showed little change, leading to dynamic but sub-optimal leveling of the synaptic gain over time (Fig. 3D).
In offering a naturalistic account of mental representations, he staked out a middle ground where nobody thought one was possible: between our ordinary (or "folk") notions about our own psychology the fact that people "account for their voluntary behavior by citing beliefs and desires they entertain"—and the neurophysiology of the brain.
In offering a naturalistic account of mental representations, he staked out a middle ground where nobody thought one was possible: between our ordinary (or "folk") notions about our own psychology — the fact that people "account for their voluntary behavior by citing beliefs and desires they entertain" — and the neurophysiology of the brain.
In the 1960s and '70s, Mr. Fuchs's alluring illustrations for fiction and nonfiction articles on themes of romance, adventure and sports, typically capturing clean-cut men and women of the middle and upper-middle classes in candid and naturalistic poses, established a stylistic standard for editorial and advertising art of the day.
In the 1960s and '70s, Mr. Fuchs's illustrations for fiction and nonfiction articles on themes of romance, adventure and sports -- typically capturing clean-cut men and women of the middle and upper-middle classes in candid and naturalistic poses -- established a stylistic standard for editorial and advertising art of the day.
This was theatre acted in a naturalistic manner, by actors usually playing upper-class, or upper-middle-class characters, often in evening dress, in a set - often a drawing room or dining room - so naturalistic that it looked as if the room's fourth wall had simply been removed.
