Sentence examples for naturalistic acting from inspiring English sources
Yet the total effect was of more than "naturalistic" acting: Duse acted not only the reality, she also commented on the characters she played she "knew" far more about Nora, for instance, than Ibsen's heroine could possibly have known about herself.
In the second act, he pushes naturalistic acting too far, sometimes allowing it to get in the way of his dancing.
Audiences didn't expect to see naturalistic acting onstage.
There are long, beautiful passages of traditional mime, and then there is some utterly naturalistic acting.
Mr. Gregory's direction has a strong American component, however: he insists on naturalistic acting.
Working with the choreographer Gwen Welliver, Ms. Qian enriched her portrayal of the Woman with elegant gestures that subtly combined stylized Chinese movements with naturalistic acting.
Target Margin's 90-minute version of "Dido," with its declamatory, anti-naturalistic acting and gilt-and-glitter sets and costumes that evoke exuberant carnival kitsch, pokes fun at the stagy qualities of this early Marlowe work while giving free rein to the play's frequent bursts of lyricism.
It was during this period that actor Charles Macklin (a native of Inishowen in County Donegal in Ulster) rose to fame, propelled by a singular performance as Shylock in an early 1741 production of The Merchant of Venice, in which he introduced a realistic, naturalistic style of acting, abandoning the artificial bombast typical to dramatic roles prior.
Under Griffith's direction, she honed a naturalistic style of acting perfectly suited to closeup photography, making her the world's pre-eminent cinematic actor.
Although he originally worked with Stanislavski, Meyerhold came to disdain the naturalistic method of acting, preferring much more stylized, physical movement that he developed into a system called Biomechanics.
As adapted by the playwright Patrick Marber ("After Miss Julie and Don Juanan in Soho" at the Donmar), Pinero's original script has been amended to emphasize a generational conflict between old-school, floridly histrionic and newer, more naturalistic approaches to acting.
