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The Welty narratives I liked best didn't have loads of whimsy.
The tech industry has a reputation for slickness, but the polished personal narratives I heard extended far beyond corporate life.
Jean-Christophe Valtat's novella "03" (FSG) — again, somewhat neglected in America — was one of the most daring, and finally moving, narratives I read in 2010.
One of the reasons I became a historian was to bridge those narratives I heard at the table with printed text".
As a longtime enthusiastic consumer (and, in more recent years, purveyor) of apocalyptic narratives, I empathized readily with the obsessive anxieties of Mitchell Zukor, the protagonist of Nathaniel Rich's new novel, "Odds Against Tomorrow".
E-mail address GO SIGN UP Share Tweet Jean-Christophe Valtat's novella "03" (FSG) — again, somewhat neglected in America — was one of the most daring, and finally moving, narratives I read in 2010.
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On pages of Jonathan Franzen's "Freedom," he made careful rips in the pages, to expose photographs he had laid underneath, like a Max Ernst collage, and then circled phrases on the page, with a sharpie, joining them to other random phrases to create new mini-narratives: "I am so ready to celebrate / a decent restaurant"; "the very safe neighborhood / was attacked by / a totally safe neighborhood".
I had this very simple narrative: I started here and got here".
The Internet can't provide the kind of narrative I'm talking about.
In the kind of narrative I mean, incidents themselves are prolific.
Back home, as I was transcribing his narrative, I discovered that among the cassettes one had failed.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com