"narrative subject" is a correct and usable phrase in written English.
This phrase is typically used when discussing narrative studies, which is a field of research that focuses on the way in which stories are constructed and their impact on society. For example, you could say: "The narrative subject of this story is the experience of a family dealing with the death of a loved one."
Others, which contain mostly narrative subject matter, may be viewed by all.
Enright and his team hash out a narrative, subject to alteration, and "no zones" like work and home.
As a medium of communication, visual art often uses narrative subject matter, from history and scripture to diaristic introspection and private fantasy.
In the mid-20th century, narrative subject matter was forbidden in abstraction, but that taboo has also gone by the boards.
But the exhibition urges us to focus on these and other works in a particular way: not on the representational imagery and symbolic or narrative subject matter that self-taught art is commonly noted for.
These grid patterns were in harmony with the austere character of the interiors, and their geometrical plan enabled the artist to depict clearly the various episodes and symbols of a narrative subject.
The son of the famous jeweler Charles Lewis Tiffany, Louis studied under the American painters George Inness and Samuel Colman and also trained as a painter of narrative subjects in Paris.
Govert Flinck, (born January 25 , 1615 Kleve, Brandenburg [Germany] died February 2 , 1660 Amsterdam, Dutch Republic [now in the Netherlands]) Baroque painter of portraits, genre, and narrative subjects, one of Rembrandt's most-accomplished followers.
Allegorical narrative subjects might exalt the sensuous arts, as in the symbolic muses portrayed by Poussin and Luca Signorelli and the paradisiac gardens of 15th-century French illuminated manuscripts.
Carel Fabritius, (baptized February 27 , 1622 Middenbeemster, Netherlands died October 12, 1654, Delft) Dutch Baroque painter of portraits, genre, and narrative subjects whose concern with light and space influenced the stylistic development of the mid-17th-century school of Delft.
Traditional to the Greek and Russian Orthodox churches is the iconostasis screen, which stands between the nave and sanctuary and displays icon panel paintings representing the Virgin, the saints, and narrative subjects.
