Sentence examples for narrative stylistic from inspiring English sources

Exact(1)

Both objects and, in fact, almost all early Tzakol monuments draw heavily upon a heritage from the older Izapan civilization of the Late Formative, with its highly baroque, narrative stylistic content.

Similar(59)

While their science is up to date, their narrative and stylistic strategies are comfortably old-fashioned.

This timetable emphasized the story's event-ness, but it offered little clear narrative or stylistic benefit.

The stories often veer off in surprising narrative and stylistic directions, lending variety to the oppressive sameness of the characters' lives.

But narrative and stylistic unity are disrupted by the inserted quasi-related and unrelated secondary episodes, each of which has a style of its own, ranging from light badinage to sonorous morality tales.

For the most part, though, A Girl Walks Home Alone At Night is more concerned with atmosphere, aesthetics and the possibilities that arise as the narrative and stylistic norms of contemporary vampire fiction are thrown to the wind.

The season felt like that, like a long, hard reprisal, exactingly meted". The stories often veer off in surprising narrative and stylistic directions, lending variety to the oppressive sameness of the characters' lives.

That the tradition goes back even further is suggested by the presence of many narrative motifs, stylistic devices, and verbal formulas for which an Indo-European heritage can be claimed.

It's hard to recall any recent show tune that packs in as much verbal wit, narrative surprise, stylistic alacrity, and revelation of character — and it belongs not to Hamilton, not to Burr, but to Angelica Schuyler, played by the incandescent Renée Elise Goldsberry.

In these presentations each group member had to contribute equally, dividing up research tasks to provide biographical information, historical background, interpretations of the work's cultural or political contexts, close readings of selected passages, critical reception of the work, and analysis of narrative technique, stylistic innovation, etc.

With this primary concern in mind, we will consider his films' engagement with philosophies of history and time; their increasingly experimental approach to narrative and stylistic conventions; and their enduring fascination with the interaction among the human, natural, and spiritual worlds.

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