Sentence examples for narrative standpoint from inspiring English sources

From a narrative standpoint, Swift is the key.

From the narrative standpoint I thought it would be interesting to have only one brother become involved politically, and I began to distinguish them as individuals.

It would be easy just to list the World Series-winning San Francisco Giants as the big winners here, but just from a misfit sports narrative standpoint it's worth noting three of the Giants' biggest postseason contributors.

Escaping to Brazil is such a familiar fantasy of the American outlaw life that it is strange and delightful, from a purely narrative standpoint, to learn that the trope has been flipped by the swimmer Ryan Lochte, of all people: Olympian gold medallist, onetime reality-TV hopeful, and now, it seems, fugitive from Brazilian justice.

This approach considers the patient's narrative, standpoint, and relationships as a way to develop a support plan and will present a guideline for cases where the probability of significant harm to others supersedes the patient's preference of non-disclosure as well as the physician's respect of confidentiality.

From a narrative standpoint, Diggle is one of the few people whose death would cause Oliver to kill again.

The events of the story unfold from three narrative standpoints – Angelus "Golo" Thomsen, the hero (his name cribbed from historian Golo Mann, Paul Dolll, the commandant of the camp, and Szmul, head of the Sonderkommando (prisoners who were charged with disposing of bodies, "the crows of the charnel house").

Furthermore, narratives show that from the standpoint of ethics there is a kind of primacy of the other-than-self over the self.

For Hamid, it was very important to have a narrative in which a non-religious standpoint (Nadia's), and a sincerely religious practice, as opposed to a politicized one (Saeed's), find a way together.

For Hamid, it was very important to have a narrative in which a non-religious standpoint (Nadia's), and a sincerely religious practice, as opposed to a politicized one (Saeed's), to find a way together.

From a creative standpoint these fear projections are narrative linchpins; they turn creatures into ideas, and that's the point.