Sentence examples for narrative room from inspiring English sources

Exact(1)

Because Crain proceeds slowly and calmly, and because he allows himself plenty of narrative room, he has time to probe several rich themes.

Similar(54)

Narrative City Room: "Little Pigs, Little Pigs, Let Us In on Your Secret Past Common Core Standardss: RI3, RI6, RI10, W3, W4, W10, RH5, WHST4 Among the castoff cleaning products and outdated office supplies in this all-but-forgotten storage area at New York University were crates full of pig-shaped tchotchkes: salt and pepper shakers, gravy boats, ashtrays, and all manner of figurines.

They were adjusting their collective narrative to make room for coexistence with onetime enemies.

Though Tóibín mostly follows the Gospel stories faithfully, the gaps in Mary's narrative give him room to explore.

The tone of the narrative shifted in room three, an open-air market with baskets of fruit and bags of rice.

The remaining winners of the Game Developers Choice Awards were the Walking Dead, for best narrative, and the Room, for best handheld or mobile game.

Once the hapless bachelor has upset the goldfish bowl and flooded the room, narrative goes out of the window and the ensuing Finding Nemo-style underwater graphic fantasy loses all dramatic tension, even while accompanied by the stirring climax of Swan Lake.

The fifth and final season of "The Wire," which begins Sunday night, sinks deep into the Simonian bog, adding a new strand of narrative — the city room of a failing newspaper — to the dealers, cops, addicts, teachers and city officials who collide, and sometimes collude, but mostly bump up helplessly against immutable barriers of corruption, inertia and economic decline.

I was surprised to find that I was such a focus of the narrative in the room, my mother's desire to be closer to me, my feistiness and anger and alienation a piece of some puzzle I couldn't see the edges of.

Whereas Stone (1991) sought to disrupt the traditional transsexual narrative by making room for the experiences of transsexuals (captured in "double vision") and by generating new hybrid ("genre-blending") narratives, Hausman denies that there is anything further to be said (174).

It was part of that sad living room narrative that sideswipes tech executives from time to time, the notion that there must be a meta-market out there for a product that does all the games and all the movies and all the music and all the things at the same time.

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