Sentence examples for narrative practices from inspiring English sources
The phrase "narrative practices" is correct and usable in written English
It refers to the ways in which individuals or groups create, share, and interpret stories or accounts of events. Example: The researcher studied the narrative practices of indigenous communities, which included oral storytelling and traditional rites of passage.
For each case study, we also highlight the moments when narrative practices move beyond mere protection and start to change the very context in which they were developed.
Medicine can contribute to literature; narrative practice can strengthen medicine.
According to the Narrative Practice Hypothesis, mindreading involves not theoretical reasoning but the construction of a certain kind of narrative (Hutto 2008).
The Awe Narrative practice involves reflecting on a personal experience of awe and then writing about it in as much detail as possible.
Retrospective analysis of narrative practice visit reports data using a mixed methods design to study records of visits to 51 family physicians and general practitioners who participated in PAR during the period 2010 to 2011, and whose ratings in one or more major assessment domains were significantly lower than their peer group.
Semistructured telephone interviews (patients); Focus groups (practice staff); Semistructured interviews (practice pharmacists); Periodic narrative reports (practice pharmacists).
Experiences of general practice staff, practice pharmacists and patients were explored using several qualitative methods Semistructured telephone interviews (patients); Focus groups (practice staff); Semistructured interviews (practice pharmacists); Periodic narrative reports (practice pharmacists).
New forms of political narrative and practice are adopted to replace the sword-in-hand model adopted by successive ministers (some of whom then complain about the scars on their back).
The genre had taken a new turn with the production in 1927 of Show Boat (music by Kern, book and lyrics by Hammerstein); it was the first musical to provide a cohesive plot and initiate the use of music that was integral to the narrative, a practice that did not fully take hold until the 1940s.
This paper reports on the results of an ethnographic study of Christchurch urban fringe residents' residential land-use narratives and practices.
Besides a methodology conducive to transforming qualitative statements and topics to both numbers and narratives, these practices also included a series of methods and techniques out of the foresight toolbox.
