Sentence examples for narrative fabric from inspiring English sources

The quotes from India Inc in Wednesday's newspapers acknowledged that work stoppages had in some cases been costly, but the real focus was on the gaping tear in the narrative fabric.

What we can more safely predict is that all such events will be woven into the central narrative fabric with an allusional élan to make all other period dramas weep.

Unlike the N.F.L., which has apparently decided to excommunicate Colin Kaepernick on grounds of heresy, the Silver-led N.B.A. has developed a knack for folding these extracurricular worries into its own narrative fabric.

There is, however, a peculiar flaw in the narrative fabric, which David rightly points out: "The characterization of Molly as a sexy Earth Mother who can't speak her own mind is vapid and condescending, as if she weren't as real to the filmmakers as the two men are".

This particular detail, not remotely germane, seems to be, like the woman's name, Cordelia -- and indeed, the title of the collection -- the product of a grandiose vision or an overreaching ambition that in this story and others threatens to weaken the narrative fabric.

Throughout, he adorns the film with cutesy parodies of many of Godard's films from the nineteen-sixties; these tricks intrude into the otherwise ordinary narrative fabric, as if to affirm that he has seen the films but without offering any indication that he has absorbed their substance or their significance.

Clothing made in Los Angeles but destined for the world, an ongoing narrative about fabric and color draped over the human form.

Forty years ago, when Faith Ringgold, the artist who is best known for her "story quilts" — narrative paintings on fabric — won a grant of three thousand dollars to execute a work for a public institution, her first thought was to make a painting for her alma mater, City College.

A week before the first solo exhibition of his paintings in New York City in twenty years, René Ricard was standing in his studio staring… Forty years ago, when Faith Ringgold, the artist who is best known for her "story quilts" — narrative paintings on fabric — won a grant of three thousand dollars….

By Rebecca Mead Forty years ago, when Faith Ringgold, the artist who is best known for her "story quilts" — narrative paintings on fabric — won a grant of three thousand dollars to execute a work for a public institution, her first thought was to make a painting for her alma mater, City College.

With the Third Woman, an interactive performance qua film, Martin Rieser, Pia Tikka, and Nina Yankowitz have employed mobile phones, gaming, QR codes, a multi-screen narrative and smart fabrics to deliver an immersive transmedia experience.