"narrative construct" is a valid phrase in written English.
It refers to the way a story or narrative is put together, including the plot, characters, setting, and overall structure. It is commonly used in literature, film, and other forms of storytelling. Example: The author skillfully weaved together various narrative constructs to create a compelling and immersive story.
What's fascinating is that Ueda doesn't necessarily see the central relationship between the boy and Trico, or Wander and the horse as a narrative construct, as something to tell an emotional story.
That bundle of sensory inputs and emotional interpretations makes up a narrative "construct", or Gestalt in German.In his sessions, Mr Perls tried to free his students from the baggage of their past, often with brutal confrontations in front of the group.
Was this a film that highlighted racism by employing its tactics within the narrative construct for illustrative purposes?
38 This reluctance has been deepened by the postmodern view that history is not the objective gathering of 'facts' about the past, but is rather a narrative construct that reflects the ideological bias of the author.
It would be fascinating to have a narrative constructed with that degree of creativity and intelligence for educational purposes.
The heads of the platform committee sought to downplay any internal discord on Monday, characterizing perceived divisions as a narrative constructed by the media.
St. Cecilia gets fictional treatment as a proto-feminist in this conversion narrative, constructed as the pages of a papyrus diary that Cecilia addresses to a deceased sister.
Given all those various incentives to steer the narrative in one direction or another, it's best to see this less as a simple story of what happened than as a narrative constructed out of facts, accusations, and political imperatives.
At the same time, the novel, supposedly a narrative constructed by one of the characters, stands as a sophisticated rumination on the hazards of fantasy and the chasm between reality and art.
The narrative constructed around them, from their lyrics to their interviews to their PR coverage, all works to portray the boys as both the ultimate heartthrobs and the familiar boys-next door.
It is also true, however, that the story of appeasement and of Britain's slow path to war in the 1930s is more complicated than the usual narrative suggests — a narrative constructed in large part by Churchill himself, who, in his war memoirs, provided what the historian J. H. Plumb called "the broad avenues" on which we still travel through the war years.
