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But still, I went to see my first screening of the film in a defensive mood: I was waiting to pick it apart with a fine-tooth comb.
So, back in April, I approached my first screening of Lynne Ramsay's adaptation of We Need to Talk About Kevin with trepidation.
This murky parallel universe has grown horribly vivid: I'm invited to my first screening, after which I mumble to the producers and distribution staff, "Yeah, that was, uh, yeah – really something!" and I'm so mortified by meeting the director face to face that I hide in the loo.
Nonetheless, it's hard to disapprove of Zahedi, who is far more of a pushover, or a patsy, than the fierce and knowing women he meets, and one of his confessional voice-overs will stay with me forever: "Caroline offered to give me yet another blow job, but I'd recently gotten a job as a film critic, and I didn't want to be late for my first screening".
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I started my first day at the 2012 Sundance Film Festival mostly thankful to actually be in Park City in time for my first screening of the day.
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Then came my first screen of results.
These words reverberate around my head when I get my first screen-break since breakfast at 6pm.
"It was my first screen kiss," she later confided with a giggle, "but it was my second kiss".
I had America Online in 1994 or 1995, but I seriously can't remember my first screen name.
For those relegated to the "app ghetto" I usually either substitute Google or SMS because I've forgotten that I've downloaded them and am too lazy to swipe past my first screen.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com