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Similarly, in Tooting yesterday I went looking for a second-hand bookshop where I got my editions of Asterix (defunct), a record shop where I queued up to get the latest Green Day album (defunct) and my old newsagent (defunct).
This was also a time when the aesthetics of psychedelia were filtering down into children's pop culture, so that my editions of C. S. Lewis's Christian allegories and John Christopher's juvenile science fiction looked as if they were painted by Peter Max, every object seemingly sculpted out of foam.
He writes, The kernel, the soul let us go further and say the substance, the bulk, the actual and valuable material of all human utterances is plagiarism... Don't pirate my editions; do plunder my visions.
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Who was I without my private pressings, my limited editions, my vintage one-offs?
My edition, the most recent paperback, came out in 2011.
The longest runs to three pages in my edition.
The corner of that page will remain turned down in my edition of "The Unknown University".
My edition of these stories is a gaudily-covered reprint of an original edition of 1922.
My edition of that book says "bitch kitty" was a phrase of the nineteen-thirties and forties.
My edition of "Hamlet" lists just 18 named dramatis personae at the outset, whereas "The Billionaire's Apprentice" lists 81.
My edition of Oliver Twist does not come, as does my Penguin Kim, both front and back-loaded with essays about race.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com