Sentence examples for musician performance from inspiring English sources

Luke Neocamp, twenty-eight, musician, performance artist, and model, New York, 2016.

format= diptych"] [image id= 3252951" position= left" caption="Luke Neocamp, twenty-eight, musician, performance artist, and model, New York, 2016".

What follows is a one-man cabaret that features song (he's a brilliant musician), performance poetry and faux-confessional standup that reveals nothing about him – unless he really does spend his spare time on the phone to mum, asking her to guess which chocolate bar he has shoved up his bottom.

The tireless activist, recording musician, performance artist and widow of John Lennon worked through a strong set, at times adding echoes that rendered her voice incomprehensible and dipping into her trademark howls and hollers with a decidedly physical effort.

I just sort of assumed it was ironic and moved on – she's a musician, performance artist and zinemaker, so chances are we were terrorised by the exact same people in our younger and more vulnerable years.

I just sort of assumed it was ironic and moved on she's a musician, performance artist, and zinemaker, so chances are we were terrorized by the exact same people in our younger and more vulnerable years.

More than a dozen musicians, performance artists, choreographers and dancers will appear, including YOSHIKO CHUMA, LAWRENCE GOLDHUBER, KEELY GARFIELD, MEREDITH MONK, BASIL TWIST and CHRISTOPHER WILLIAMS, just to mention a few.

The best that can be said of the musicians' performance of the percussive, hard-driving finale is that it's straightforward and competent — qualities that also describe the rendering of the Bartók, another concert recording, made with Kazuyoshi Akiyama and the less recalcitrant New Japan Philharmonic.

This project gave us a chance to collaborate with local LA creatives who are also starting out and looking to produce meaningful work: fashion designers, musicians, performance artists, film operators. .

Robert Shelton hears the song as "an earthy tribute to another funky earth-mother", while for Heylin it is close to filler material; he argues that only through the musicians' performance is Dylan able to "convince us he is doing more than just listing the number of ways in which this 'graveyard woman' is both a lifesaver and a death-giver".

If, as we propose, the elevated BOLD signals during the high WM load (2B) task are interpreted as a manifestation of the participants' brains allocating more resources to the execution of the task, then the less negative BOLD-to-correctness relationship in musicians than non-musicians indicates that as a consequence of their efforts, musicians' performance deteriorated less.