Sentence examples for musical time from inspiring English sources

This music adds the colouristic virtuosity of early 20th-century music – Stravinsky, Scriabin, Ravel – to Knussen's compositional panoply, as a well as a complete understanding of Elliott Carter's simultaneous layers of musical time, in the way the music flows from one tempo to another, the way it stacks up different kinds of metrical pattern against themselves.

The series has spawned two music albums, Dexter's Laboratory: The Musical Time Machine and Dexter's Laboratory: The Hip-Hop Experiment, three hip hop music videos, and a fourth music video by the band They Might Be Giants for their song "Dee Dee and Dexter", which features Japanese-style animation.

What makes Dutilleux's music so compelling is his shaping of musical time, an elegantly flowing fabric of progression and remembrance that explicitly recalls the aesthetic of Marcel Proust.

Melody, in music, the aesthetic product of a given succession of pitches in musical time, implying rhythmically ordered movement from pitch to pitch.

Musical time is generally divisible in units of two or four in urban music, but it occurs more freely and without a metric pulse in rural areas, especially in singing.

Raabe and his imported ensemble are a musical time capsule, an absolutely authentic reproducer of the sophisticated dance and film music so beloved from the 1920ss and 1930s on.

For a time he was chief music critic and also contributed to the Gramophone, Musical Times, Listener, Opera and other periodicals, as well as to BBC Radio.

In a tribute published in The Musical Times, van Dieren referred to Heseltine's music as "a national treasure" that would long survive all that was currently being said or written about it.

Of the May 1899 concert at St. James's Hall, London, The Musical Times reviewer remarked on the rawness of some of the music, but praised the "boldness of conception and virile strength that command and hold attention".

He contributed to various well-known publications dealing with music in England, including The New Age, The New English Weekly, The Musical Times and Musical Opinion.

But the effect is even more subtle than simply shifting through the gears: the final appearance of the trombone theme, whose three-fold appearances are the symphony's most obvious landmark, is achieved by a musical time-warp.